DIRECTOR​​​​

• All The Fraudulent Horse Girls by Michael Louis Kennedy| The Old Fitz (2024)

• The Bugalugs Bum Thief based on the book by Tim Winton and adapted for the stage by Tim McGarry, Eva di Cesare & Sandra Eldridge | Redline Productions | Riverside Theatres (2024)

• Lose to Win by Mandela Mathia | Belvoir (2024)

• The Dictionary of Lost Words by Pip Williams, adapted by Verity Laughton | State Theatre Company South Australia/Sydney Theatre Company | Tour to Arts Centre Melbourne (2024)

• The Dictionary of Lost Words by Pip Williams, adapted by Verity Laughton | State Theatre Company South Australia/Sydney Theatre Company | Dunstan Playhouse and Sydney Opera House (2023)

• Kindness by Matthew Whittet | NIDA | Reg Grundy Theatre (2023)

• Director of Cybec Electric play at MTC - Realish by Wendy Mocke | The Lawler

• Lose to Win by Mandela Mathia | Red Line Productions | The Old Fitz (2022)

• Chalkface by Angela Betzien | State Theatre Company South Australia/Sydney Theatre Company | Various locations (2022)

• The Tenant of Wildfell Hall by Anne Brontë, adapted by Emme Hoy | Sydney Theatre Company | Roslyn Packer Theatre (2022)

• Grand Horizons by Bess Wohl | Sydney Theatre Company | Roslyn Packer Theatre (2021 and remount in 2022)

• Home, I'm Darling by Laura Wade | Sydney Theatre Company | Drama Theatre (2021)

• Wonnangatta by Angus Cerini | Sydney Theatre Company | Roslyn Packer Theatre (2020)

• The House at Boundary Road Liverpool by various playwrights| Bontom Theatre Company | Old 505 (2019)

• Banging Denmark by Van Badham | Sydney Theatre Company | The Studio, Sydney Opera House (2019)

• Just LIVE by Robin Goldsworthy [Creative Development] | Redline Productions (2019)

• Mosquitoes by Lucy Kirkwood | Sydney Theatre Company | Drama Theatre (2019)

• The Wolves by Sarah DeLappe | Belvoir and Red Line Productions | Belvoir Upstairs (2019)

• Two Hearts by Laura Lethlean | The Anchor| Bakehouse Theatre Company at KXT (2018)

• The Martin Lysicrates Prize | Griffin Theatre Company | The National Theatre of Parramatta (2018)

• The Wolves by Sarah DeLappe | Red Line Productions | The Old Fitz Theatre (2018)

• Lethal Indifference by Anna Barnes | Sydney Theatre Company | Wharf 1 (2018)

• Rough Draft #36 reading | Banging Denmark by Van Badham | Sydney Theatre Company | Wharf 2 (2017)

• University of Longing by Didem Caia | SIGNAL, Melbourne (2017)

• Realism by Anthony Neilson | NIDA | The Space Theatre (2017)

• Rough Draft #34 reading| The Profit by Angus Cameron | Sydney Theatre Company | Richard Wherrett Studio (2017)

• Tongue Tied by Clare Hennessy | Redline Productions at the Old Fitz for the New Fitz Program (2017)

• Reading of Hot Tub by Lewis Treston | Sydney Theatre Company | Patrick White Playwriting Award | Wharf 2 (2017)

• Amongst Ruins (Snake Eggs Hatch) by Michael McStay | Redline Productions at the Old Fitz for the New Fitz program (2017)

• Reading of Neighbourhood Watch by Lally Katz | The National Theatre of Parramatta (2017)

• Reading of The Other Place by Christopher Bryant | Before Shot | State Library of Victoria (2016)

• UNEND by Harry Black | Never Never Theatre Company | Adelaide Fringe Festival | The Queens - The White Queen (2016)

• Intoxication by Christopher Bryant | Before Shot | Midsumma Festival | La Mama Courthouse (2016)

• How are you? by Laura Lethlean | The Anchor | DESIGN Canberra Festival | The Public Theatre by Aspen Island Theatre Company (2015)

• UNEND by Harry Black | Never Never Theatre Company | Sydney Fringe Festival | PACT centre for emerging artists (2015) | Won Best Emerging Artists Award

• The Sugar Syndrome by Lucy Prebble | The Kings Collective | District01 (2015)

• Triple J/Rage - Coin Banks, Someone music video (2014)

• RAUSCH by Falk Richter | NIDA | The Space (2014)

• It's Alright, Sid It's Alright by Jessica Stanley - co-director | La Mama Theatre (2013)

 

ASSOCIATE DIRECTOR

• The Tempest by William Shakespeare | Directed by Kip Williams | Sydney Theatre Company | Roslyn Packer Theatre (2022)

• Julius Caesar by William Shakespeare | Directed by Kip Williams | Sydney Theatre Company | Wharf 1 (2021)

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ASSISTANT DIRECTOR

• The Harp in the South Pt. I and Pt. II | Directed by Kip Williams | Sydney Theatre Company | Roslyn Packer Theatre (2018)

• Dinner by Moira Buffini | Directed by Imara Savage | Sydney Theatre Company | Drama Theatre (2017)

• Orgy (film) | 1st AD | Written and directed by Tom Nauta (2017)

• Chimerica by Lucy Kirkwood | Directed by Kip Williams | Sydney Theatre Company | Roslyn Packer Theatre (2017)

• Scorched by Wajdi Mouawad | Directed by Sarah Goodes | NIDA | The Studio (2016)

• Miss Julie by August Strindberg | Directed by Kip Williams | Melbourne Theatre Company | Sumner Theatre (2016)

• Endgame by Samuel Beckett | Directed by Andrew Upton | Sydney Theatre Company | Roslyn Packer Theatre (2015)

• Wolf in the River written and directed by Adam Rapp | NIDA | The Space (2014)

 

DIRECTING SECONDMENT/INTERNSHIP

• Safe Places by Falk Richter and Anouk van Dijk | Schauspiel Frankfurt, Germany (2016) | Internship

• The Weir by Conor McPherson | Directed by Sam Strong | Melbourne Theatre Company | Fairfax Studio (2015) | Secondment

 

DRAMATURG

• Hamlet [Working Title] by David Burrowes and Drew Wilson | Sydney Fringe Festival | Eliza 5 (2014)

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PREVIOUS POSITIONS

• Resident Director | Sydney Theatre Company | 2019-2022

• Directing Associate | Sydney Theatre Company | 2018

• Richard Wherrett Fellow | Sydney Theatre Company | 2017

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